It appears that the NWRS is less of an underground scene than when it previously started in the early 1990's and is becoming much more mainstream, commodified and even legal. For example, at Soul Synergy in Seattle, the Seattle police where present outside of the party to monitor activity and inside to frisk participants who were entering. The presence of police at formerly illegal and underground events strongly indicates that the NWRS is in the process of joining mainstream culture.
What does it mean for the rave scene and the rave community when rave undergoes the transition from PLUR to making money through massively promoted shows (e.g., flyers at The Gap), high priced ticket sales, and ultimately the use of 'ravey' music and style in mainstream market advertising? The history of the rave scene in England is somewhat indicative of the result of mainstream culture co-opting subcultures for purposes of sheer consumption and commodification. It is not uncommon for underground scenes to be absorbed by the marketplace and mainstream media as were the punk scene of the late 1970's and the grunge scene in Seattle in the early 1990's.
"...mainstream society would eventually adopt rave-culture ideals, fashion, etc...i.e., that new C(h)OKE commercial that started airing a while ago has some seriously ravey overtones!...raves are less of an unknown that they used to be...some people get their flyers from people at raves, others get'em off the counter at The Gap" (N.B.: Mon, 15 Apr 96 19:39:54)
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Traditionally, underground scenes are havens for art, cutting egde fashion and music: it is only logical that the scene would eventually be co-opted and modified by the market for consumption by mainstream culture as is seen in Levi jeans and Coca Cola commercials.